Phallic figurine with pillar-like shape and slightly expanded foot. Wide, plastically modeled nose, straight incised eyes, and connected eyebrows. The hair is outlined with incised lines going all the way to the neck. The hands are plastically, unstressed breasts.
Medium facture, red clour.

Stylized female figurine sculpted out of a single rock with emphasized steatopygia. The head is broken, while the torso is triangular with small breasts. The hands are placed on the belly, and the pubic area is relatively unemphasized. The waist is thin, the legs are short and stumpy, whereas the gluteuses are emphasized.
White fine marble with traces of burning.
Discovered in house 6 in 1989.

Flat anthropomorphic figurine. Head and face are elongated with shallow incised eyes. The nose is small, whereas the eyebrows are semi-circular and plastically represented. The hair is plastically presented in afro hairstyle. The top of the head is pierced, with visible traces of burning.
Good facture, ochre colour.

Head made of unrefined earth, very simply modeled around a big pile. The face is flat, the eyes are flippingly incised, the eyebrows are not emphasizef, and the nose is quite small. The face is covered with several layers of clay, and connected with the massive neck. The hair is styled in braids, gathered in a bun on the left side. The head is separated probably from a monumental totem statue.
Medium facture, bright ochre colour. Randomly discovered in 1984.

Stylized head in oval shape, large nose and small neck. The mandibula is nicely rounded.
Sculpted in white stone.

Miniature female figurine with a pillar-like body, prosopomorphic face with an emphasized nose and diagonally incised eyes. The hair features a flat bun, slightly thickened at the neck.
Light ochre colour. Excavations 2003.

Anthropomorphic cylinder, part of the Great Mother Goddess altar, with soft rectangular shape. Shaped around wood. The face features shallow incised eyes, lowered by the end of the nose. The nose is small - nice semicircular eyebrows derive from it. The hair is well shaped in two braids, gathered with a vertical hairpin. The top of the head is pearced, with visible traces of burning.
Medium facture, light ochre colour. Discovered in 1985.
(front)

(back)

Part of the Great Mother Goddess altar, with soft rectangular shape. Shaped around wood. The face features plactically presented almond-like eyes, eyebrows beginning from the small nose defining the eyehole with a nice bow. The mouth is defined with a small plastic circle. Underneath are small plastic breasts. Hands broken. Hair styled in afro manner. The top of the head is pierced.
Reddish colour. Discovered in 1981.

Hollow cylinder, part of the Great Mother Goddess altar. The face features a large nose where two semicircular eyebrows end. Eyes are almond-like and wide open. The top of the head is pierced. The hair is styled in braids with triangular shape.
Pale red colour. Discovered in 1982.

Head, part of the Great Mother type, separated from the root of the neck. The face is stylized, with soft triangular shape. Eyes are half-open, incised with plastically emphasized eyelids. The eyebrows beginf from the small nose. Under it is the mouth, shrunk as in fright. The hair consists of deeply incised lines, whereas the top of the head is pierced with traces of burning.
Good facture, bright red colour.
Randomly discovered in 1988.

Sacrificial cylinder of the Great Mother type. The head and body are pillar-like, shaped around a pile whose remains are visible in the positive aspect. The face is flat, with straight eyebrows beginning from the nose and arching towards the end. Small prominent ears are placed at the same level as the eyebrows. The hair is well shaped and features a nice hairstyle. The top of the head is pierced. The arms are bent and the palms are placed against the belly. One of the palms with stretched out fingers is preserved. The breasts are expressed through small plastic thickenings. The facial expression of the Mother - protector of the family fireplace is calm.
Light brown colour.
Excavation 2005.

Altar from the Great Mother type. Presented up to its waist placed upon a rectangular house. The face is flat, eyes are diagonal and closed, shallowly incised. The eyebrows are not emphasized. The nose is sharp. The hair is gathered in a nice afro hairstyle. The top of the head is pearced with traces of burning. The house is rectangular with four oval openings on the front and back side. On one lateral side there is a large opening in the form of the letter M. The fourth side features 2 diagonal openings. The four angles on the roof have holes for hanging.
Good facture, light brown colour.
(front)

(side)

Altar from the Great Mother type. It is presented up to its waist over a rectangular house. The head and body are pillar-like, shaped over a pile whose remains are visible in the positive aspect. The face is flat, the eyebrows begin from the nose. The eyes are closed and marked with a shallow incision. The breasts are small, and the belly features a big belly button. The hair is plastically presented with a nice haircut. Three bangs are painted with brown colour on the forehead. The top of the head is pierced. The face is covered with several layers of clay. At the level of the chest, the hands are curved and the palms rely on the house with spread out fingers. This presents the moment of birth of the Great Mother, her emerging from the house and protecting the peace of the household. The hands have two massive bracelets. The house is in rectangular form, with two oval openings on the frontal and back side, and large rectangular lateral openings. The four angles on the roof have holes for hanging.
Light brown colour.
Discovered in 1981 in House 1.